태그 아카이브: 사진관

Taylor Swift는 Jack Antonoff와 함께 스튜디오에서 생일을 보냅니다.: '다른 방법은 없을 것입니다.’

테일러 스위프트 is continuing to work on her craft even on her birthday!

화요일에, NS “Love Storysongstress shared a photo of herself and the Grammy-Award-winning producer 잭 안토노프 hanging out together in a music studio during her special day.

Thanks for all the beautiful wishes today!!” she wrote in the Instagram caption. “I spent my 33rd birthday in the studio of course 😏 Wouldn’t have it any other way. 사랑 해요!”

사진에서, Swift can be seen holding up 3 fingers on each hand to mark her 33rd birthday milestone with a double bass resting on her lap as she sits on a wooden floor.

Antonoff, 38, 그 동안에, sits in a chair next to her in the snapshot while holding a guitar as he poses for the camera.

The celebration comes after Swift recently received acclaim for her directorial work on her own music videos and for 너무 잘해: The Short Film, a 13-minute short film set to and inspired by the 10-minute version of her beloved song “너무 잘해,” which appears on the re-released album 빨간색 (테일러 버전).

During her appearance with The Banshees of Inisherin director Martin McDonagh for the Variety Directors on Directors 회견, Swift talked in-depth about her creative process behind the project, sharing the short film was a direct reflection of heartbreak she endured in her early 20s, 그리고 그 she’s enjoyed the chance to revisit that period in her life.

“감정적으로, I was going through exactly what the short film depicts, and I think that time is such an incredible asset to use when we have these stories that are hard to tell in the moment,” 그녀가 말했다. “Because it’s good if a story is hard to tell, that means it’s incredibly emotionally potent, but it’s impossible to tell it with perspective and truth if you’re in it sometimes.

Swift added that she found it “신나는” to reflect on that period of her life now that she’s in her 30s.

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I think there’s a moment when you’re 19 또는 20 where your heart is so, so susceptible to just getting broken, getting shattered and your sense of self goes out the window so quickly and it’s such a formative age,” she told McDonagh, 52. “I wanted to tell that story, ~도, about sort of girlhood calcifying into this bruised adulthood.