A superstar lineup — including George Strait, 艾伦杰克逊, 肯尼·切斯尼 和 埃里克·丘奇 — took the stage in Nashville on Sunday night to usher in the 2020 class of the Country Music Hall of Fame: outlaw legend Hank Williams Jr., master showman-musician Marty Stuart and classic songwriter Dean Dillon.
The invitation-only event, which took place in the Country Music Hall of Fame and Museum’s CMA Theater, was a night filled with memorable performances and testimonials, culminating in the three honorees being inducted by a Hall of Fame member each had personally selected. It’s also a tradition for the tribute performances to be surprises — and, per tradition, the roster was a sensational mix of big names and fresh voices.
Strait and Chesney both performed for Dillon, who began writing a lengthy string of hits in the 1980s — most notably for Strait, who has recorded more than 60 Dillon songs. 对于仪式, Strait chose perhaps Dillon’s most timeless classic, “The Chair,” but the selection still must have been difficult, considering his list of Dillon-written hits, 其中包括 “Ocean Front Property,” “Easy Come, Easy Go,” “Marina del Rey,” “The Best Day” 和 “She Let Herself Go.”
Chesney honored his fellow east Tennessean with “A Lot of Things Different,” 他的 2002 hit that Dillon co-wrote with Hall of Famer Bill Anderson. And up-and-comer 布兰妮斯宾塞 brought her soulful sounds to “田纳西威士忌,” a Dillon song, first cut by David Allan Coe in 1981, that’s gone on to earn its ageless reputation through interpretations by George Jones, 在 1983, and Chris Stapleton, 在 2015. (This was Spencer’s second opportunity in recent months to wow an influential Nashville crowd; 在八月, she torched the Ryman Auditorium stage with Martina McBride’s “独立日” at the ACM Honors show.)
In his remarks, Dillon told how he arrived in Nashville on a hitchhiking thumb, intent on becoming an artist, and through the 1980s, he forged a modest recording career while also writing hits for stars, such as Strait. Then in the early ’90s, Dillon said, he had a life-changing decision to make when Strait came to him coveting “Easy Come, Easy Go,” a song that was already destined to be Dillon’s lead-off single from his new album.
When Strait’s producer promised that Strait would take the song to No. 1, Dillon recalled, “I did the math in my head real quick, and then I thought, do you want a record career or do you want to be a songwriter? And in my heart of heart of hearts, I knew what I loved the most,” 他说, brushing away tears, “and I looked at him and said, ‘You can have it.'”
After the meeting, Dillon said, he went directly to his record label and quit. “I can honestly … tell you,” 他加了, “it’s the smartest decision I ever made in my life.”
Strait, 当然, was the one who inducted Dillon into the Hall of Fame.
To celebrate Stuart, Hall of Fame member Emmylou Harris and artist-musician Charlie Worsham joined forces for “Tempted,” his biggest radio hit, 和 阿什莉·麦克布莱德 offered “The Observation of a Crow” from Stuart’s groundbreaking 1999 专辑 The Pilgrim. Pastor Evelyn Hubbard, a Stuart collaborator from his native Mississippi, 执行 “It’s Time to Go Home,” a cut from Soul’s Chapel, 他的 2005 gospel album.
Stuart chose his wife, fellow Hall of Famer Connie Smith, to drape his gold medallion around his neck, honoring him for a career that began at age 13, when the mandolin prodigy joined Lester Flatt’s bluegrass band. Stuart built his reputation on collaborations with a long list of other Hall of Fame members, 包含 约翰尼卡什, Merle Haggard, Bill Monroe, Porter Wagoner 和 Mac Wiseman. 然后, 在 1989, he broke out as a solo artist, and he has since earned both popular and critical acclaim for his musicianship and his creative explorations of multiple genres, most notably traditional country.
“The question gets asked, how do you describe this moment?” Stuart said in his acceptance remarks. “好, this is the ultimate. There’s this, and there’s everything else.”
Hank Williams Jr. gained entrance into the Hall of Fame exactly 60 years after his legendary father posthumously joined the Hall’s first class in 1961. Hank Jr. began his career in his teens under the withering shadow of his dad, whom he lost at age 4, but he found his own voice — and became an essential innovator in country’s outlaw movement — after a near-fatal mountain-climbing accident in 1975.
Another famous second-generation artist, Shooter Jennings, son of outlaw Waylon Jennings, honored Williams with “Feelin’ 更好的,” a single off The New South, 他的 1977 album that heralded his new renegade spirit and break from mainstream country sounds.
Fellow renegade Eric Church followed with a Williams signature song, “A Country Boy Can Survive,” which Williams took to No. 2 在 1982, and Alan Jackson contributed “The Blues Man,” which he covered and released on his 1999 album of tributes, Under the Influence.
After the towering Williams genuflected before the 4-foot-9 Hall of Famer Brenda Lee to receive his gold medallion, he kept his acceptance remarks brief — and completely in keeping with his outlaw spirit.
“好, the good thing is, this didn’t happen yesterday, which was the opening day of deer season,” said Williams, who was dressed in a camouflage-print tuxedo.
He also wasn’t one to indulge in a list of people to thank. “I know who they are, they know who they are,” Williams said succinctly.
His finish was simply a clever reference to three of his biggest hits: “‘All my rowdy friends’ are coming over tonight. I was ‘born to boogie,’ 和这个” — he motioned to his just-unveiled Hall of Fame plaque — is a ‘family tradition.'”